this…this is what i get angry and rant about when im super drunk
The red lighting really makes this
thank u lighting design is my passion
Captions:
A girl in the backseat of a car is drunkenly ranting. The lighting is unintentionally dramatic and dim with a red hue.
Girl in the backseat: ASK someone who has been in musical theatre since I was like, eight FUCKING years old! I can go ahead and tell you, that TROY and GABRIELLA can go to FUCKING HELL with their acoustic-ass BULLSHIT versions beCAUSE! …Sharpay and Ryan deserved those parts.
The person videoing: You’re damn right!
Girl in the backseat, still continuing: They TRIED! They SANG! They DANCED! Troy and Gabriella can ROT!
The person videoing:[laughs as she zooms in dramatically on her friend’s genuinely angry face]
“When we heal ourselves, we do heal our ancestors. It’s both/and.”
— From “Wild Seeds: Collective Healing as Resistance,” a workshop focused on Octavia Butler’s work and how Women of Color survive, negotiate, heal, and thrive. (via wocinsolidarity)
in 2009 florence welch said “leave all your love and your longing behind, you can’t carry it with you if you want to survive” and in 2018 she said “the loneliness never left me, i always took it with me, but i can put it down in the pleasure of your company” and that is growth
Sis coming up behind her look like she been walking in them shoes all night and her heel finna collapse, but she tryna hold herself together because she know she almost at her car
I’ve never really wrote a tutorial before so apologies if this is bad
1. okay first thing I do is pick three colors, a mid, dark, and light. I like to check the colors in greyscale to make sure there’s enough contrast between each one.
I then plop down a blob of whatever my middle tone color is.
2. next, I take my dark color and just sort of randomly place it around. I try to make sure there’s a good amount of both the mid and dark tones spread throughout. I personally like to keep it kinda messy. I also have pen pressure on for both brush size and opacity, so I can have some blending action going on.
3. for the next step I do the exact same thing as before, except with the light color.
4. aight this is where we start adding details. see how you just have a bunch of colors and edges where two colors meet? use the eyedropper and go to an area where two colors meet, eyedrop a color, and then use that color to draw in your grass blades. I do this at every point where colors meet. should note I personally like to use a square brush, but you can really just use anything.
5. you can technically stop at the last step if you’re going for a more simple look, but to add more details I go to the “empty” areas of solid color and just draw in random strokes using a color nearby. it’s just a way to fill up the empty space.
6. basically more of the same idea of eyedropping and drawing. for more variety so things look interesting, I like to add random plant shapes.
7. and so the grass doesn’t look too plain, I add random dots of color and pretend it’s flowers and stuff.
and there you have it, this is how I approach drawing grass.
